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"Before
he passed into Britain he built a noble monastery in Ireland which,
from the great numbers of oaks is ... called dermach, the field
of oaks".
That
is how an early writer described the founding of the monastery
at Durrow by St. Columba - also known as St Columcille.
Durrow
is almost in the centre of Ireland. Only a few fragments remain
of the buildings that were erected during and after the lifetime
of St. Columba who died in AD 597. However one beautiful Celtic
Cross remains, the cross now known as the Cross of Durrow.
At
the base of this cross is a barely legible inscription which reads
"Pray for Dubtach who erected this cross". Dubtach was
the head of the Columban order between 927 and 938 AD. The cross,
in white sandstone, is very sensitively carved. The West face
of the cross has the scene of the Crucifixion, but as always there
are people nearby. The scenes below probably represent incidents
in the Passion. At the foot of the cross there are soldiers at
the tomb. The East face shows the triumph of Christ - Christ in
Judgement. Nearby is David with a harp or lyre. His psalms were
recited almost continuously in the monasteries so he was a very
revered figure. On this face there is also a representation of
the sacrifice of Isacc and at the bottom three figures with angels.
Is this the Trinity, or the Holy Family? It may indeed be both.
There
are many beautiful panels of interlace design and, as always on
the Irish Crosses, none of them the same. This was a most important
cross, a sign of the importance of Durrow. We get a further glimpse
of the importance of the monastery of Durrow in the Long Room
of the library of Trinity College, Dublin. Many visitors go to
see the Book of Kells with its magnificent designs and lettering.
Not so many know about the Book of Durrow, a copy of the Gospels
made almost a hundred years earlier that is also on display in
the Long Room. It is a smaller carefully planned volume. There
are "carpet" pages of design facing the opening pages
of the Gospels; beautiful initial capital letters at the beginning
of each Gospel and a full page symbol of each of the Four Evangelists.
When
one looks at the skill, artistry and learning that produced such
a manuscript and then see these same qualities embodied in stone
in the Cross of Durrow one understands the poet who wrote of Durrow:
"With its books and learning A devout city with a hundred
crosses".
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